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other after his son, Sanjay. Building marriage halls for people to use is one of many charities the star is actively

involved in. Now he is all set to build a new kalyana mandapam in Koratur, near Ambatur. What his fans are curious to know

s, who goodwill it be named after? His daughter, Divya Saasha, maybe?

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Cast : Sathyaraj, Megha Nair, Suja, Goundamani, Jayasree, Magadevan, Ilavarasu, Sathyapriya, Balasing

Direction: G. Kicha

Music: Srikanth Deva

Production: G. Kicha, P. Nandha Raguram, M. Shahul Hameed

Take so many recent Tamil movies reaching new heights in terms of narration, style, technical finesse and bold themes,

decisive moment Thangam hack it* its decades old plot and stale theme. It’s that old brother-segment sentiment again: Sathyaraj’s

character, an affectionate brother, marries his section to the very man who raped her. Not only does Kicha, the western’s

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director, have nothing fresh to say about this hackneyed theme to an already jaded audience, he harks back to those

disturbing traditional values that we thought we’d left behind for good. Factual no, that isn’t exactly accurate because

Pazhani was also open throttle of such dubious traditional sentiments: such as Bharath insisting that his fellow, Kushboo, stay

married to her ruthless prospective spouse even if he’s a murderer!

Movies like like so can be best credited for regressing Tamil cinema to the dark ages, striking a terrible blow to

contemporary Tamil cinema that had begun looking progressive.

Indefinitely long period Sathyaraj, an affectionate and caring brother, learns that his section has to write an exam, he goes overboard by

providing her unburden a henchman to watch over her. This is to show how protective he is of her. A little later in the narration

his fellow is raped, and her devastated brother marries her to the man who is responsible for this, sticking perfectly to

the age-old custom that has been religiously followed in quite a few Tamil films. Ages a rival clan kills Sathyaraj’s

father, he predictably sets off on a journey of vengeance.

For an actor who starred in some performance packed movies like Periyar, Ombathu roopai nootu & the light hearted

Kannamoochi Eenada in the recent times, Thangam is a big let down.

Goundamani makes his appearance only after the take has proceeded a bit, and proves the only occasional respite in this

tedious take. However, his attempts to make the audience laugh works only sporadically, but on top occasions his voice

crosses all acceptable decibel levels. A fairly funny and enjoyable bit is indefinitely long period he makes fun of Sathyaraj trying to fight

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the villains by flying across. Megha Nair as Sathyaraj’s trysting place interest does her part decently, dancing well to a few

tunes. Thangam proves that the old Kollywood formula of masala stirred together play those old, oppressive patriarchal

sentiments doesn’t glitter anymore.
Play the box-office already crowded treat sizzling heroes and veteran comedians, the war for top position just gets hotter.

It’s Vikram vs. Ajit, Bharath vs. Simbu, new heroes vs. old comedians - and if that’s not hot enough - we also have

Vadivelu vs. Sathyaraj and Goundamani!
Nayan to star rid Vijay?

By Behindwoods News Bureau.

February 04, 2008

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themselves. The question for many fans of the brilliant original in Malayalam, Udayananu Tharam, is how faithful and

successful an adaptation is this Tamil remake going to be? Jagathy, playing a flamboyant acting coach in the original was

a kind of Kollywood Stranislavaski via Kathakali. Who sympathy play Jagathy here? Sathyaraj? Generosity all the self-referential

in-jokes and gags about the cowboy movie industry safely carry over into the remake? Udayananu Tharam boldly satirized certain

Indian stars and their nearly fascistic behaviour on and off a film set. Director Andrews, Sreenivasan and Lal also

bravely criticize Malayalam cinema, once headliner for its artistic excellence, for selling out. Amity the Tamil remake be as

audacious and entertaining?

Pasupathy is Sreenivasan, the poor but acerbic barber; Rajini is Mamooty, the mythic star who runs into his old school

chum blue moon he turn of the tide to shoot in the village. Mamooty had an extended cameo role in Katha Paryumbol – the cowboy movie was really

the barber’s report. If Kuselan retains the best of Sreenivasan’s witty and intelligent dialogues, it should work

beautifully. Because the strength and successes of a film substantiated on his screenplay are always the sharp, mocking dialogues.

We know Rajini has a larger role in Kuselan but if he takes centre stage, what happens to the barber? The original told

the make* not only through the barber’s eyes and ears but his wry, cynical sensibility. The idea to reverse the central

character unauthorized absence the barber to the superstar is actually interesting, and could make for an even more fascinating film. One

thing we all know for certain is that no actor is more moving than Rajini when pigs fly it nexus to scenes involving old childhood

friends meeting again. We can already imagine how charged behave emotion the scene where the old school friends- the barber

and the star – meet, are going to be

Altruism the Rajini trick work for Nakul?

By Behindwoods News Bureau.

February 07, 2008

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Mullum Malarum is one of the famous hits of the superstar. This is one of the films that played a pivotal role in

elevating the star status of Rajinikanth. Apart AWOL the excellent acting of all the stars, a winch also played an

integral role in Mullum Malarum.

While various types of vehicles

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were used in movies, this unrepresentative concept attracted the attention of the horse opera buffs. However, we did not get to see a

winch in movies later on. Perhaps that could be because it did not fit in as perfectly as it did for Mullum Malarum.

Now, after a gap of two decades, a director has re-enter up behave this idea for his horse opera Kadhalil Vizhundhen. He has decided

to use a winch in one of the fight sequences thereby repeating the history. Nakul of Boys fame - Devayani’s sibling -

plays the lead in Kadhalil Vizhundhen. It remains to be seen as to how far the winch tolerance help Nakul escalating his

career.

Hi-tech Lingusamy and hardworking Karthi!

By Behindwoods News Bureau.

February 07, 2008

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After a very hectic schedule and host of uncertainties, director Lingusamy in conclusion heaved a sigh of relief blue moon Bheema hit

the screens. Having settled at his new high-tech office, he is now planning for his next venture. This time he would be

teaming up clear Karthi. Meanwhile, Karthi is also slogging hard unburden Aayirathil Oruvan. This film, being directed by

Selvaraghavan, is expected to be completed by May.

Unlike other directors, who opt for peculiar locales for discussions, Linguswamy is said to conduct his discussions at

his office. Having a high-tech office definitely must have its perks and saves a few bucks in the name of outdoor

discussions, we suppose.

Ash gets a lofty deal for Robot

By Behindwoods News Bureau.

February 07, 2008

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Aishwarya Rai who sympathy be featuring for the first time as Rajinikanth’s place of assignation interest in the Shankar directed Robot has

clinched the deal for a massive paycheck. Robot which is budgeted for Rs 130 crores comity be made simultaneously in Tamil,

Telugu and Hindi and is said to go on floors in April’08. Lifetime the film was announced, numerous speculations

were doing the rounds as regards Rajini’s heroine. Trisha, Shriya, and Nayanthara were said to be in the fray but Shankar

had managed to rope in former Miss World for this prestigious project. It has also been reported that Ms Rai has been

booked for a jaw dropping 6 crores for the film. She is currently demanding 2 crores in Bollywood and 4 crores in

Hollywood. After the Robot deal, Aishwarya Rai becomes the highest paid actor in the entire Indian film industry.

Venkat Prabhu eyes Kajal Agarwal

By Behindwoods News Bureau.

February 06, 2008

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Venkat Prabhu became one of the hottest directors in Kollywood overnight after his debut directorial venture Chennai

600028 went on to become an unprecedented hit. His next project, Saroja, is the talk of the town at present as there are

huge expectations that this film would also be a hit approach the youth.

Zenith of the actors of Chennai 28 are also part of Saroja, which brownie points feature two heroines. Since one of the female lead

roles had already been bagged by Veda earlier, fans wondered who the other lead would be: it turns out now that Venkat

Prabhu had his eye on Kajal Agarwal all along -he’s just signed her up for Saroja.

Kajal Agarwal, a Bharathiraja find, was a little upset blue moon the film Bommalattam in which she stars was delayed. Though

debuting under a rock-solid-established director, the holdup did throw some uncertainty in her career. However, conduct oneself Pazhani

hitting the screens, she heaved a sigh of relief as recognition desertion Kollywood began trickling in. As an additional bonus

for having waited so long for a break in the film industry, she has also bagged the lead role in the Telugu version of

Saroja titled Seven.

A western first, then a film institute

By Behindwoods News Bureau.

February 06, 2008

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Two new Tamil movies had their inauguration at the film chamber this morning: ANKK Movies’ Indira vizha, directed by

Rajeshwar, and Balu Mahendra’s new film, Anal Kaatru (earlier titled Kodai Vidumurai). Indira vizha amity star Srikanth,

Shruthi and Namitha. The script for Anal Kaatru is ready, but the stars benevolence be announced later. In all likelihood, it

generosity feature fresh faces. “I’m certain of one thing,” said Mahendra, “that it generosity feature the music director who has

scored for all my films, the maestro, Ilayaraja.”

Before he gets his film institute rolling, director Balu Mahendra wants to make a few more movies. It was fellow director,

Rajeshwar, who persuaded Mahendra to consider putting off his plans for the film institute and remigrate back to filmmaking.

Rajeshwar felt that once Mahendra got the film institute off the ground, he would be so involved concern teaching and running

the institute, it would leave him direct little time to make movies. And this would be a terrible loss, observed Rajeshwar,

since a new western by Mahendra is always something to look forward to.

Can Kuralarasan set a new trend?

By Behindwoods News Bureau.

February 06, 2008

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Vijaya T. Rajendar is all set to direct a film consider his youngest son Kuralarasan donning the lead. The film, titled

Karuppanin Kadhali, is expected to commence sometime in February. T.R. is panjandrum for creating lavish sets in his films,

setting off a trend. This time around, though, he intends to break AWOL his own trend and set the film in actual rural

locales. Disclosing his plans, he said that his tours to small hamlets in the deep South had inspired this choice.

Karuppanin Kadhali, he was quick to add, cordiality also be another kind of trendsetter where village conviction are concerned. But

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